After being bitten by a werewolf, aspiring model and amateur wildlife photographer Harper finds herself in the middle of a bloody mass murder. Left alone in the wilderness, nature photographer Harper senses a vicious attack by vicious lycanthropes. However, when the criminal offenders are caught, she uses her natural survivalist abilities to attempt to save herself and her camera from the attack. In the process, however, she is nearly killed.
Annabelle dexter-Jones plays the role of Harper, a photographer who finds herself trapped in a remote cabin in the Canadian forest. The seemingly endless darkness envelopes the small town, preventing any kind of human contact. However, when a mysterious man with questionable motives approaches her, Harper must learn to develop her own survival skills, use her photographic senses and develop a tough mental strength to get out of danger and back home.
Though the sole intention of the killer in this film is to kill Annabelle, the actress manages to escape his clutches and return home. While doing so, she discovers the townspeople had been killed and is hunted down by a massive bear. She is saved again only to face another dangerous foe. This climactic event leads to the development of a series of events that includes the discovery of a serial killer and the death of a college student who becomes the bait for the serial killer’s next victim. These events are used to build up the thrilling climax of the film, which is anchored by a vicious chainsaw massacre.
The director of ” Ravage Movie Review” does an excellent job of building up the tension throughout the film. He utilizes slow motion shots and handheld mirrors to build up the sense of unease throughout the movie. The actors also do a good job of creating a believable human psychological effect throughout the film, using subtle expressions and body language to suggest the character’s state of mind and motivations. Even the most macabre of horror movies must-see Michael Myers.
The climactic events of the film are executed quite tastefully, which creates an anticipation for more of the same. Only someone like Michael Myers could create such tension and exhilaration in a horror film and make the audience continue watching no matter how bad the ending scene may be. ” Ravage Movie Review” does just that by reeks realistic havoc and terror through the acting, plot, and cinematography.
No other film possesses the kind of unique style that director Wes Craven does. Craven, who also wrote the screenplays for “A Nightmare on Elm Street,” “A Nightmare on Elm Street” and “A Boy’s Own Dog,” is known for his use of jump scares and a unique way of telling the story. In all those movies, he injects plenty of crude humor to keep the viewers entertained. Here, too, he injects a little comedy with a few genuine scares, but the overall tone of ” Ravage” is far more serious and darker than any of his previous films.
When the movie starts, we meet Alex (Cary Elwes), a 15 year old boy whose father was killed in a freak accident while riding on his motorcycle. Alex, not yet a young man, is seen by his Uncle Raymond (James Belushi) who tries to convince him to go to live with him at their family home. After some initial hesitations, Alex agrees, and as his father’s body is recovered, we learn that Alex has latent psychic abilities. When his Uncle dies, Alex becomes the primary suspect in the murder, which is why he is taken into custody and brought before the police.
There are two major players in this story: Alex Truslow, a young man with psychic abilities, and his friend and fellow orphan, Jacob (Jennifer Aniston). The movie traces the gradual development of these characters, as the viewer comes to know and like them. They have different points of view and come to realize the dangers they pose to society. The death of the parents prompts both of them to become more protective of one another, and each tries to help the other reach his or her destiny. While some of the interactions between the main characters may seem a little cartoonish, the screenplay does an admirable job of keeping all of the characters believable and making the audience care about what happens to them.
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